Details for this torrent 


Vieux Farka Toure - Fondo [FLAC] TQMP
Type:
Audio > FLAC
Files:
18
Size:
297.85 MB

Tag(s):
TQMP world.music mali blues
Quality:
+1 / -0 (+1)

Uploaded:
Jun 16, 2009
By:
pastafari



Vieux Farka Toure - Fondo
2009

The best African album of the year?

Brought to you by TQMP
The Quality Music Project

With his sophomore release, Vieux Farka Toure steps out of the shadow of his late, illustrious father. He's not only developed into a convincing songwriter and singer (but one who happily concedes the microphone to other talents, like Afel Bocoum, who sings on three tracks here), but a stunning guitarist, as well. You can hear traces of his father in his work, but the style is very much his own, flowing and free, rippling almost like a kora, but also throwing in lovely, darting runs, as on "Aп Haпra," where the fills -- not to mention the solo -- are delicious, powered along by talking drum. It's all ineffably West African, and he's not afraid to play, as most of the tracks top the four-minute mark, leaving lots of room for him to display his fretboard talent. Of course, there are a number of bluesy touches, notably "Souba Souba," which simmers as guitar and ngoni work together. "Slow Jam" lives up to its name perfectly, while the closing reprise of "Fafa" gives a soft acoustic end to the electric opening cut. The use of a drum kit can often bring added urgency to the music, which it does on "Sarama," which is nothing less than primal rock & roll, although Tourй is quite capable of stepping away from all that for an acoustic, hold-your-breath duet with the wonderful Toumani Diabatй for "Paradise," where guitar and kora play simply around a gorgeous melody. With Fondo, Tourй has created a mature, exciting, and jubilant album, and shows himself already a master.
-- All Music Guide

At times the hypnotic grooves acquire a psychedelic tinge; elsewhere they affirm his connection to tradition. A dazzling piece of work.
-- The Guardian

With Fondo, Vieux plays with an elegance that is reminiscent of his father, while also successfully creating a style uniquely his. While some of the Marley’s live off their surname, creating music that lacks artistic talent, with another successful album Vieux establishes himself as a true contemporary talent with a promising future.
-- SF Station

Fondo is the unequivocal announcement of a major talent, and the well-earned accolades are easy to predict. This constitutes the second consecutive triumph for Vieux Farka Toure: this is not world music so much as music from the world, and certain parts of the world we don’t hear or see as often as we should. Mostly, Fondo is the sound of a son escaping his father’s shadow, even as he shrewdly embraces many of the best elements that made his old man so memorable.
-- Pop Matters

The long-awaited follow-up, Fondo, accomplishes many things. First and foremost, it firmly establishes young Toure as a bona fide African guitar hero. Africa — and Mali in particular — is a guitar paradise, but few of its famous axe-men can rock like this.
-- NPR.org

This is music from a contemporary Africa – urban, sophisticated, globally connected but deeply proud of its ancient heritage. This is the old/new Africa that Vieux represents. Fondo is the music of an Africa that rocks, and yet still hears the camel's tread in the sand.
-- digital.thinkindie.com

"Consistently excellent..." Feisty new African guitar hero, proud to display his versatility, adding an impressive modern groove to the Saharan blues...
-- The Times

It was inevitably going to be difficult for Vieux Farka Toure to step out from under the shadow of his father, the late, great Ali Farka Toure, one of the most acclaimed African musicians of all time. However, in spite of this, Vieux has, with Fondo, produced perhaps his finest work to date. Reminiscent of his father’s style with characteristic sharp licks and phrasing, the young Vieux has developed whilst staying true to his heritage.
-- BBC Review

Dedicated to his father (Ali Farka Toure).
All songs written by Vieux Farka Toure except "Wale" (traditional)
Afel Bocoum (vocals on Mali)
Toumani Diabate (kora on Paradise)

Tracks
01- Fafa Doboy
02- Ai Haira
03- Souba Souba
04- Sarama
05- Wale
06- Slow Jam
07- Mali
08- Diaraby Magni
09- Cherie Le
10- Paradise
11- Fafa Doboy (Reprise)

Artwork, EAC log and CUE sheet included

Format: FLAC (Free Lossless Audio Codec) 
http://flac.sourceforge.net/index.html 

Enjoy, seed and inhale!

Legalise it!

Pastafari Cubensis 
http://thepiratebay.ee/user/pastafari/
Proud Member of the Church of the Flying Spaghetti Monster 
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You too can search for evidence the Flying Spaghetti Monster is the Lord and Master of the Universe  
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Comments

Excellent this is soo good.

Loved his first and this sounds really interesting

Good work.
husshuss,
i don't have any just cumbia album but this might be what the doctor ordered :)
http://thepiratebay.ee/torrent/4943369/Batata_-_King_of_Champeta_-_Radio_Bakongo_-_TQMP

and just in case...
pastafaricubensisyahoocom
ah, celia cruz... gotta have it, will dl now.
gracias amigo ;)
This comment is not intended to judge or condemn anyone's choices, nor to spark a discussion about the legality of torrents or file-sharing etc.

With that disclaimer, let me get to the point. I'm curious to find out a couple things. First, from pastafari, why upload this album and others like it in a lossless format with fairly hi-res scans of the cover art? The reason I ask is that I've always thought of music file sharing as a convenient way of exposing good music to a wider audience and a way for people to preview it at their leisure and see if they like it. Perhaps there is even a need for it, as traditional radio just doesn't play Vieux Farka Toure. But this kind of torrent provides such a good copy of the source material that it seems more of a possible alternative to ever buying the real thing than a "preview" or "try before buy" arrangement. Was that your intent?

If so, I'm curious to know if that matches the intent of those who've downloaded the torrent and obtained the FLACs and JPGs. Anybody who downloaded intend to buy the actual CD? If a sizable number would answer no, then I wonder...can we reasonably expect Vieux to record more albums? And if he's selling less CDs, can we expect the production values of his future CDs to go down, because it may no longer be economically viable to record with the highest quality equipment? And then, who, if anybody, loses out in the end? Vieux, because he's making less money? Or us because we no longer have the pleasure of listening to quality recorded music?

Or is it that for an artist like Vieux, there just isn't any money in recording albums anymore, but rather in live appearances, which perhaps more people will attend if these sort of torrents are freely available and thus interest more people in attending his concerts?